Friday, November 26, 2010

What It Is

So what is it to be an artist? Do you just roll out of bed one day and decide to create? People just aren't born and ready. They're inspired. By Life. The stories the artist tells, whether it be in words or pictures comes from a deep place within their sole. The heart becomes a place that is full of memories of the past and dreams for the future. So what is it to be an artist?

My story may be like so many others: I'm troubled about things. I bottle up feelings. I'm angry. I'm sad. I need love. I can't find love. I see things around me in this world that are troubling. I see beauty. I want to see God. Most don't. Can you believe?

We're all story tellers. Cover your mouth before you think! Words can get us into trouble. Actions get us into trouble. Anger, jealousy, rage...it's all around us. So we need an escape. We need a way to let those feelings out. So many of us try the seduction of booze and chemicals. Freedom from the bondage of self. It's all so momentary. The feeling is gone as fast as it happens. But we chase the dream. The dream to express our true feelings, to tell a story, and to be heard. So we lay down paint...we write lyrics...we see moving images....we dance....write....act. Who are we?

I'm an artist. But I struggle still to please people and not myself. That's what masturbation is for anyway. Why not lay down a different track? Compliance is such a dirty word. I want to be different. I want to be known. I want to be creative in my own right. I want to let those bottled up, pent up emotions flow out the end of a paintbrush, out of my mouth, through words on paper. That's what it is.

This post is dedicated to Notorious BIG---

Wednesday, October 27, 2010

Winston Portrait- Phase 2, Step 4

Step 4: Verdaccio

So this is way out of my league, but worth a try. The Verdaccio technique is underpainting in green. While Ivory Black and yellow is an option (along with many other combinations) I went with Chrome Oxide Green, mixed with Ivory and Lead White. Lead White seems to dry faster than my usual Titanium. Below shows two verdaccio glazes and a first layer background in Burnt Umber.

Winston Portrait- Phase 2

Step 3: Continue lead white glazes, added initial eye color.

The process is slower than I am accustomed to. I'm using a galkyd medium, though I don't know what Gottlieb uses. Everything is shiny vs matte. I can push back the eye colors in a later glaze.


Winston Portrait- Phase 1 Redeux

ugh many things have been happening in my little art world, I've failed to make posts. If more was happening, I might be more inclined! Such is the struggle between making a living and making art.

I have been working on a portrait for a client. I've been at it more than a year. With no deadlines, I get real lazy. This photo below shows the painting about 75% complete: it was not approved...and I was sent back to the drawing board. The female has some work to be done, but I opted to start over, completely.


Winston- 75% complete

Version 2:

I was reading an article in Artist's Magazine about Adrian Gottlieb and his use of Flemish techniques that date back 400 years. I found it amazing and the results stunning, so what the heck. Using a combination of verdaccio and grisaille layers and glazes I started plugging away.

Step 1: The monochromatic drawing. Include value interpretation of faces.




Step 2: Initial glaze with Lead White. Focus on building shapes and volume, slowly.






Thursday, August 26, 2010

Milwaukee Domes Plein Air

Blazing heat and humidity. but was able to put these two pieces together. Didn't win anything, but it was fun...and I needed the practice.


In front by the main entrance. My impressionistic palette of a very bland building/structure.


Looking south of Mitchell Park lagoon. Big willow dominated my thinking. It was overcast, so I thought the purple hues lent coolness to an otherwise hot day.

Thursday, July 22, 2010

Open Canvas and ArtHouse contest

Good news this week as I was invited back for my fourth appearance at Open Canvas. With next to no PR on the event, the bottom line was I know I got in the top 10 (out of 90) artists for bids on my painting(s). Feels good artwise to know I'm still wanted.

Friday, July 16, 2010

Summer Sunset



Painted during the last 30 minutes of a beautiful summer day, from the front seat of my car.